Guitar Rhythm and Strumming Flashcards

24 sample cards from the Rhythm and Strumming deck

Sampled from the end of the deck, so these are different cards from the ones shown on the syllabus page.

1. How does a tie into a strong beat create syncopation in strumming (anticipation)?

   By strumming a chord on the off-beat just before the strong beat (e.g., the "& of 4") and letting it ring through instead of restriking on the downbeat, the chord change is "pushed" or anticipated, displacing the accent off the strong beat.

2. How do you execute a muted percussive strum (the "chuck" or "chick", notated X)?

   Either relax the fretting-hand fingers so they touch but don't press the strings while you strum, or slap the side/heel of the strumming hand onto the strings at the same instant as the stroke — producing a pitchless percussive click instead of a chord.

3. In many funk/acoustic grooves, where is the percussive muted strum usually placed, and what does it imitate?

   On beats 2 and 4 (the backbeat); it imitates the snare drum, letting a solo guitarist supply both harmony and a drum-like groove.

4. What is the difference between palm muting and fret-hand muting?

   Palm muting: the edge of the picking-hand palm rests lightly on the strings near the bridge while picking, giving a damped but still pitched "chug." Fret-hand muting: the fretting fingers lie across the strings without pressing, killing the pitch entirely for percussive scratches.

5. List the main dynamic markings from softest to loudest and their meanings.

   $pp$ (pianissimo, very soft), $p$ (piano, soft), $mp$ (mezzo-piano, moderately soft), $mf$ (mezzo-forte, moderately loud), $f$ (forte, loud), $ff$ (fortissimo, very loud).

6. What do crescendo and decrescendo (diminuendo) mean, and how does a strumming guitarist produce them?

   Crescendo means gradually getting louder; decrescendo/diminuendo means gradually getting softer. On guitar you strum with progressively more (or less) force and stroke speed, and can also widen or narrow how many strings you brush.

7. Besides strumming harder, what techniques change dynamics and tone on the guitar?

   Strum fewer or more strings, change pick attack angle and grip pressure, strum closer to the bridge (brighter/thinner) or over the fingerboard (warmer/fuller), and use accents versus ghost strums within a pattern.

8. What do musicians mean by "groove" and "playing in the pocket"?

   Groove is the repeating rhythmic feel of a piece; playing "in the pocket" means locking your timing precisely and consistently with the pulse (and the drummer/bassist), so the rhythm feels effortless and steady rather than rushed or dragged.

9. What is the difference between "straight" eighth notes and "swung" (shuffle) eighth notes?

   Straight eighths divide the beat exactly in half ($\frac{1}{2} + \frac{1}{2}$); swung eighths divide it long-short, roughly like the first and third notes of a triplet ($\frac{2}{3} + \frac{1}{3}$), giving the shuffle feel of blues and jazz.

10. What are the most common causes of rushing or dragging when strumming, and the standard remedy?

    Causes: tension in the strumming hand, stopping the pendulum motion during rests, and playing beyond a controllable tempo. Remedy: relax, keep constant down-up motion, practice slowly with a metronome, and subdivide the beat out loud.

11. Why is strumming-hand relaxation essential, and what are the signs of excess tension?

    A relaxed wrist gives fluid timing, better tone, endurance, and speed. Tension signs: a stiff locked wrist (strumming from the elbow/shoulder only), a white-knuckle pick grip, harsh choppy tone, fatigue or forearm pain, and timing that stiffens at higher tempos.

12. What is the proper loose pick grip for strumming?

    Hold the pick between the pad of the thumb and the side of the curled index finger with just enough pressure to keep it from flying away; a slightly flexible grip lets the pick give as it brushes the strings, smoothing the strum.

13. In classical/fingerstyle notation, what do the letters P, I, M, A stand for?

    From Spanish: $p$ = pulgar (thumb), $i$ = índice (index), $m$ = medio (middle), $a$ = anular (ring finger). The pinky (rarely used) is $c$ or $e$.

14. What is the standard string assignment for the PIMA fingers in fingerstyle guitar?

    The thumb ($p$) plays the bass strings — 6th (E), 5th (A), and 4th (D); the index ($i$) plays the 3rd (G) string, middle ($m$) the 2nd (B) string, and ring ($a$) the 1st (high E) string.

15. What is an arpeggio (broken chord) in fingerpicking?

    Playing the notes of a chord one at a time in sequence rather than simultaneously, letting them ring together — the foundation of most fingerstyle accompaniment patterns.

16. Describe a basic ascending P-I-M-A arpeggio pattern on an open C major chord.

    Thumb ($p$) plucks the 5th string (the root C), then index ($i$) plays the 3rd string, middle ($m$) the 2nd string, and ring ($a$) the 1st string — four even notes low to high, often counted as steady eighth or sixteenth notes.

17. In fingerpicking, which chords use the 6th, 5th, and 4th strings respectively as the root bass note?

    6th-string root: E, Em, F, G. 5th-string root: A, Am, B7, C. 4th-string root: D, Dm, D7. The thumb targets that string first in most patterns.

18. What is alternating bass (Travis picking) in its most basic form?

    The thumb plays a steady quarter-note bass that alternates between two strings (typically the root and the 5th or another chord tone) on every beat, while the fingers pluck melody/harmony notes on the higher strings between and against the bass — named after Merle Travis.

19. On a C major chord, which strings does the thumb alternate between in a basic Travis picking pattern?

    The 5th string (C, the root) on beats 1 and 3, and the 4th string (E) — or sometimes the 6th-string G — on beats 2 and 4, keeping a steady boom-chick quarter-note pulse.

20. What is a "pinch" in fingerstyle guitar?

    Plucking a bass note with the thumb and a treble note with a finger at exactly the same instant, so two notes sound together — the basic device for combining bassline and melody in Travis picking and chord-melody playing.

21. What is chord-melody style playing?

    Arranging a song so one guitar carries everything at once: the melody voiced on the top strings (usually as the highest note of each chord), supported by chord tones and a bass line underneath — common in solo jazz and fingerstyle arrangements.

22. Describe the classic "boom-chick" folk/country strumming pattern.

    On beats 1 and 3 pick only the bass note of the chord ("boom"), and on beats 2 and 4 strum the rest of the chord ("chick"); the bass often alternates root and 5th, e.g., on C: C bass, strum, G bass, strum.

23. What is a bass run in country/folk guitar?

    A short walking line of single bass notes (usually scale steps) that connects the bass note of one chord to the next during a chord change — e.g., walking G–A–B to move from a G chord to a C chord.

24. How is the reggae/ska "skank" rhythm played, and how does it differ from typical rock strumming?

    The guitar plays short, choked chord stabs only on the off-beats — beats 2 and 4 in reggae (or every "&" in faster ska) — usually as crisp upstrokes or short downstrokes muted immediately after, while beats 1 and 3 are left empty; rock strumming instead emphasizes the downbeats, especially beat 1.

What this deck covers

Rhythm and Strumming flashcards FAQ