Matric (SSC) Urdu Syllabus

Urdu syllabus — full chapter and topic list

Expand any chapter to see its topics and sub-topics. This is the whole examinable outline for Urdu in Matric (SSC), not a summary of it.

1. 1

   Nasar (Prose)

   3 topics

   • Sabaq ka Khulasa
   • Mushkil Alfaz aur Mani
   • Mafhoom aur Tashreeh
2. 2

   Nazm (Poetry)

   3 topics

   • Ashaar ki Tashreeh
   • Markazi Khayal
   • Shayar ka Taaruf
3. 3

   Ghazal

   2 topics

   • Ghazal ki Tashreeh
   • Husn-e-Bayan
4. 4

   Qawaid (Grammar)

   4 topics

   • Ism, Fail aur Harf
   • Wahid Jama
   • Muzakkar Muannas
   • Mutradif aur Mutazad Alfaz
5. 5

   Insha (Composition)

   3 topics

   • Mazmoon Nawesi
   • Khat aur Darkhwast
   • Kahani aur Mukalma Nawesi
6. 6

   Khulasa aur Tarjuma

   2 topics

   • Khulasa Nawesi
   • Tarjuma

Urdu flashcards for Matric (SSC)

25 of 50 cards from the Urdu deck — real questions with worked answers.

1. Sabaq ka khulasa kya hota hai?

   Sabaq ka khulasa us sabaq ke ahem nukaat aur markazi mazmoon ko mukhtasar aur aasaan alfaz mein bayan karne ka naam hai, jis mein ghair-zaroori tafseelat shamil nahi ki jatin.

2. Khulasa likhte waqt kin baton ka khayal rakhna zaroori hai?

   Asal mazmoon ki tarteeb barqarar rahe, sirf ahem nukaat shamil hon, apne alfaz istemaal hon, ghair-zaroori tafseel hazf ki jaye, aur khulasa asal tehreer ke teesre hisse ke qareeb ho.

3. Khulasa aam tor par asal tehreer ka kitna hissa hona chahiye?

   Khulasa aam tor par asal tehreer ka taqreeban ek-tihai (1/3) hissa hona chahiye.

4. Mushkil alfaz aur mani se kya murad hai?

   Sabaq mein aane wale dushwar ya na-maanoos alfaz ko chhant kar un ke aasaan, mauzoon mani ya matlab likhne ko 'mushkil alfaz aur mani' kaha jata hai.

5. Lafz aur mani mein kya farq hai?

   Lafz woh awaz ya tehreeri shakl hai jo zaban se ada hoti ya likhi jati hai, jab ke mani us lafz ke peechhe chhupa mafhoom ya matlab hai.

6. Mafhoom kise kehte hain?

   Mafhoom kisi ibarat, shair ya jumlay ka woh asal matlab ya paigham hai jo us ke alfaz se samajh mein aata hai.

7. Tashreeh se kya murad hai?

   Tashreeh kisi shair ya ibarat ke mani, mafhoom aur posheeda khayalat ko tafseel se khol kar wazaahat ke saath bayan karne ka naam hai.

8. Mafhoom aur tashreeh mein bunyaadi farq kya hai?

   Mafhoom mukhtasar matlab batata hai, jab ke tashreeh us matlab ko tafseel, hawalay aur wazaahat ke saath khol kar bayan karti hai.

9. Ashaar ki tashreeh likhte waqt kin ajza ko shamil karna chahiye?

   Shair ka saadah mafhoom, mushkil alfaz ke mani, shayar ka maqsad/markazi khayal, fan-e-shairi ke pehlu (tashbeeh/istiara) aur zaban-o-bayan par tabsara shamil hone chahiye.

10. Ek shair kitne misron par mushtamil hota hai?

    Ek shair do misron par mushtamil hota hai; pehle misray ko 'misra-e-oola' aur dusray ko 'misra-e-saani' kehte hain.

11. Misra-e-oola aur misra-e-saani mein kya farq hai?

    Misra-e-oola shair ki pehli line hoti hai aur misra-e-saani dusri line; ghazal mein dono ka qafiya-radeef ka aapas mein rishta tashreeh mein bayan kiya jata hai.

12. Markazi khayal kise kehte hain?

    Markazi khayal kisi nazm, sabaq ya kalaam ka woh bunyaadi paigham ya asal soch hai jis ke gird poori tehreer ghoomti hai.

13. Markazi khayal aur khulasa mein kya farq hai?

    Markazi khayal sirf asal paigham/soch ko ek-do jumlon mein bayan karta hai, jab ke khulasa poori tehreer ke ahem nukaat ka mukhtasar bayan hota hai.

14. Shayar ka taaruf likhte waqt kin bunyaadi maaloomat ka zikr zaroori hai?

    Shayar ka asal naam aur takhallus, sann-e-paidaish wa wafat, jaye paidaish, talimi-adabi muqaam, mashhoor tasaaneef aur shairi ki khaas khoobiyan.

15. Takhallus kise kehte hain?

    Takhallus woh adabi farzi naam hai jo shayar apni shairi mein apni shanaakht ke liye istemaal karta hai, jaise Mirza Asadullah Khan ka takhallus 'Ghalib' tha.

16. Ghazal ki lughwi mani kya hai?

    Ghazal ki lughwi mani 'auraton se ya auraton ke baare mein baat karna' hai; istilaahi tor par yeh husn-o-ishq aur jazbaat ki shairi ki sinf hai.

17. Ghazal ke pehle shair ko kya kehte hain?

    Ghazal ke pehle shair ko 'matla' kehte hain, jis ke dono misron mein qafiya aur radeef aate hain.

18. Ghazal ke aakhri shair ko kya kehte hain jis mein shayar ka takhallus aata hai?

    Ghazal ke aakhri shair ko 'maqta' kehte hain, jis mein shayar apna takhallus istemaal karta hai.

19. Qafiya kise kehte hain?

    Qafiya woh hum-awaz alfaz hain jo ghazal ke misron ke aakhir mein radeef se pehle baar baar aate hain aur jin ka aakhri harf milta-julta hota hai.

20. Radeef kise kehte hain?

    Radeef woh lafz ya alfaz hain jo qafiye ke baad har shair ke aakhir mein bila-tabdeeli baar baar dohraye jate hain.

21. Ghazal aur nazm mein bunyaadi farq kya hai?

    Ghazal ka har shair alag mazmoon par mabni ho sakta hai (azaad ashaar), jab ke nazm ek hi markazi khayal ko shuru se aakhir tak salasal ke saath bayan karti hai.

22. Husn-e-bayan se kya murad hai?

    Husn-e-bayan se murad woh khoobsoorat aur muassar andaz-e-tehreer hai jis mein tashbeeh, istiara, kinaya aur dusre adabi mehasin se kalaam mein khoobsoorti paida ki jati hai.

23. Tashbeeh kise kehte hain?

    Tashbeeh do cheezon ke darmiyan kisi mushtarak khoobi ki bina par mushabihat (similarity) qaim karna hai, jaise 'us ka chehra chand jaisa hai'.

24. Istiara kise kehte hain?

    Istiara mein kisi cheez ka naam us ke mushabeh (jis se tashbeeh di jaye) ke naam se le liya jata hai aur tashbeeh ka lafz (jaisa/maanind) hazf hota hai, jaise insaan ko 'sher' kehna.

25. Tashbeeh aur istiara mein farq kya hai?

    Tashbeeh mein mushabbeh aur mushabbeh-bih dono mojood hote hain (jaisa/maanind ke saath), jab ke istiara mein sirf mushabbeh-bih ka naam le kar asal cheez murad li jati hai.

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